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| GRAPHIC DESIGN |
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Futurism and Cubism -
In the Europe of the second decade, still
immersed in the softness of Art Nouveau, gasoline advertising focused decisively on the elitist aspect of the automobile
and its fuel, and on this button it continued to push at least
until the Forties.
The idea of modernity, already present in
the advertising from the 'Teens, was made more evident in
the following decades, borrowing expressive motifs from
Cubism and Futurism.
In the commercial graphics of the
epoch, the use of illustrators influenced by the avantgarde
connoted two not always coexistent messages: for medicines, for example, it served to underline the modernity of
the research from whence the medicines came; for a chocolate or an aperitif, the aim was to identify the product with
signs of elitism and refinement.
The two needs coexisted
perfectly so long as the protagonist was a fuel; in the case of
Futurism, the lines of force and the exasperated perspectives
added to the sense of motorized speed.
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