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| GRAPHIC DESIGN |
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From élite to usual -
The automobile was not merely a fast moving modern
monster. Little by little it lost its patina of luxury and it was revealed as a practical and useful means of transport.
The idea shone through a certain number of European ads
in which car and driver were de-mythologized and rendered
more approachable, but this approach found its most coherent and convincing expression in American advertising.
And
indeed it is logical that we would find a more balanced message in a country where the automobile was already the
means of the many, was in fact at the center of a civilization
whose great distances were connected by motor vehicles; a
message that did not use illustrations to highlight refinement
at all costs, but which was posed in more strict relation to the
text; which worked in less explicit but more profound ways
on the imagination of the consumer.
This idea of advertising
would become widespread also in Europe, coming at different moments to different countries, and was affirmed definitively after the Second World War.
Meanwhile, the irresistible momentum of photography brought it up alongside the
ad illustration.
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